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First, through literature reviews, an overview of how chronic pain is expressed and the motivation for detecting it in physical rehabilitation is provided. Second, a fully labelled multimodal dataset containing high resolution multiple view face videos, head mounted and room audio signals, full body 3 D motion capture and electromyographic signals from back muscles is supplied. Natural unconstrained pain related facial expressions and body movement behaviours were elicited from people with chronic pain carrying out physical exercises.
The bulk of the scholarly literature on the partition has focussed on the political processes that led to the vivisection of India, the creation of Pakistan, and the violence. Numerous people have attempted to establish who the parties might have been, and how far communal thinking had made inroads into secular organizations and sensibilities. Scholarly attention has been riveted on the complex negotiations, and their minutiae, leading to partition as well as on the personalities of Gandhi, Nehru, Jinnah, Azad, Patel, and others, and a substantial body of literature also exists on the manner in which the boundaries were drawn between India and Pakistan, on the western and eastern fronts alike.
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For example, Kelly theorizes the act of reading and writing music as a kind of private devotion, an observation that calls to mind Jessica Brantley’s recent book Reading in the Wilderness: Private Devotion and Public Performance in Late Medieval England. 4 Chapters 3 and 4 are dedicated to the inclusion of pitch and rhythm as central components of notation, with attention paid to central figures Guido of Arezzo and Leoninus, respectively. Chapter 5 opens by explaining the principles of constructing a motet, demonstrated by uniting the component parts of Immolata paschali victima/ Latus est introduced in Chapter 2 (the Gregorian chant Alleluia “Pascha nostrum”) and Chapter 4 (the eponymous organa by Leoninus and Perotinus and clausula “Latus est”).